Since modern times, China, with Japan, and watery, can be described as love and hatred. Japan's history, especially in modern history, is very important. Mr. Sun Yat -sen, a pioneer of the Democratic Revolution, his name Sun Yat -sen comes from his Japanese name -Nakayama. Zhang Taiyan, Qiu Jin, Chen Tianhua, Lu Xun, Zhou Zuoren, Yu Dafu, Xiao Hong, etc. in modern Chinese historical and cultural celebrities have left more or less seals in the neighborhood of Japan. Japan's national personality, values, social management, various systems, clothing, food, food, housing, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, food, For example, Tang costumes have a close relationship with kimono in Japan. Since entering modern times, the May Fourth New Culture Movement advocated vernacular instead of classical Chinese. Among them, the widely used Chinese vocabulary such as "democracy" and "science" actually directly copied Japan and imported from Japan. This was caused by the Meiji Restoration, and Japan entered Western science and Western knowledge system. From this perspective, understanding of Japan is an important issue as a Chinese.
Zhiji Magazine Special "Harmony Chinese"
Ren Zhi: After the Japanese accepted the influence of Chinese, it was also created while accepting, especially in modern times to transform into a new language, and it also has a new meaning. Ancient Chinese characters are creatively combined into new vocabulary, such as "workplace", "emerging", "upper", "popularity", "police station", "interpretation", etc., which are commonly referred to as "harmonious Chinese". The input of modern science plays a great auxiliary role. Japanese enlightenment thinker Fuzawa Takayuki wrote "Persuasion", urging the emperor to develop basic education, improve the national quality, and open people's wisdom. Because Wei Yuan's "Tap of the Sea State" did not put China (the Qing Empire) in the center of the world, he closed his eyes up and down, and suppressed it with the means of "concealment" and "deception", but this book was passed on to Japan. However, it was widely spread and greatly expanded people's horizons. The Japanese nation has formed its own unique cultural tradition through the continuous absorption and re -creation of Chinese and Western cultures.
Although both China and Japan are in the oriental cultural circle, Japanese culture has its own extraordinary places, such as Kurosawa, Hayao Miyazaki, Hayazao, Okuka Akuro, Kuro Kawa's movie, Kitaduro's music, Ando Zhongxiong's architecture, all of them, all of which There is a world -class influence; the influence of Japanese popular culture on Hong Kong and Taiwan is even more numerous. Not to mention Japanese dramas, cartoons, and anime. Many works of Teresa Teng, Zhang Xueyou, Chen Huixian, and Zhou Huajian are covered by Japanese songs; For example, tea ceremony, incense, and flower roads are inherited well in Japan. There are three large flower -dos in Japan -Ichilian, Magohara, and Cao Yueliu. Hua Dao has its unique temperament in Japan. Although it is affected by the flower road in the Song Dynasty of China, it is affected, but it is born in its own soil and is different from the Song of the Song people.
"Chrysanthemum and Sword" Lusi Bennidik
Since the 19th century, Japan has gradually shifted from learning China to learning the West. In their own words, it has shifted from "Hehuman" to "Hehuman". Japan has become Western countries in Asia in the late 20th century. After the war in Japan, it began to rule the country according to the constitution, and deconstruct the original samurai spirit. The American anthropological book "Chrysanthemum and Knife" about the national nationality of Japan is more Facebook Japan. In essence, there are many imaginative ingredients in national research. It is obviously not enough if you have awareness in Japan just in this book.
Lao Pan: I have read the Japanese historian Dour's Japanese historical book "Embracement and defeat", which is far better than "Chrysanthemum and Knife". The situation I learned from it is more complicated. I know the role played by MacArthur during the occupation of Japan. He transformed Japan in accordance with the British and American model. After the war, Japanese Prime Minister Yoshida Yoshida is also an outstanding politician. With MacArthur with MacArthur, through the peace constitution, to give women the same citizenship as men, so that the emperor exists only as a symbol of the country. It has truly completed the decisive step of the Japanese nation into the modern civilized world and self -renewal since the Meiji Restoration. When MacArthur was fired in Truman in April 1951, Yoshida Mao said emotionally in a radio speech to the people across the country: "General MacArthur's contribution to our interests is a miracle in history. The chaotic and withered situation saved it, and attracted it to the path of recovery and reconstruction. Which classic works have a greater touch on you know Japan?
Ren Zhi: When he was in college, the earliest liked Kawado Kawado's "Snow Kingdom", Kawabawa Kaikai's work was very beautiful. Later, he read a lot of works of Natsume Soseki and Akutagawa Ryosuke. I personally like Akutagawa Ryosuke. Akutagawa wrote the darkness of human nature in the form of fables. As about Natsume, after seeing Japan's Europeanization, he couldn't eat the ocean, and felt that some people like monkeys. He reflected and corrected this kind of thing through writing.
Lao Pan: I think Natsume's way of seeing the problem with Lu Xun has a great impact.
Natsume Soseki
Ren Zhi: Lu Xun actually learned about Natsume. In terms of ideology, Lu Xun chasing the criticalness of the national thought, and has a certain relationship with Natsume Soseki. He has been inspired.
Lao Pan: Sometimes I feel suffocated when I look at Natsume Soseki. He tirelessly write those very embarrassing and depressed things, which is a test of human brain nerves.
Ren Zhi: He raised his description of these things to a height of a philosophical thought, so this also caused you to torture.
Lao Pan: Later, for a while, I saw some essays of Lu Xun, and felt that his perspective was very fixed. He often wrote the knife from that entry point, and he wrote it again and again. I thought about it for a long time, and it seemed to learn from his diary that he himself liked Xia Zi. Of course, Natsume also wrote a more tender novel. I am talking about works like "I'm Cat", which is very depressed. The Japanese literature in my head was the earliest "Genji Story". At that time, the view of humiliation accounted for an overwhelming advantage in my mind, and the nationalism was very inflated. As a teenager, I felt that it quoted how cool and proud of our Tang poetry. There are a lot of opportunities to meet Bai Juyi, as if Li Bai and Du Fu's influence in Japan is not as good as Bai Juyi.
The frequency of leading Bai Juyi's poems in "Genji Story" is very high, but the classical flavor read from Genji Story is still different from what is in Chinese classical literature. It almost never writes a large number of characters. Its brush strokes are a kind of cold and cold tone with a distance, where there are many feelings of innate and miraculinity. It is always an isolated state. The sense of alienation is permeated in the book. Considering this, the characters in the book have despair and silence. Silence is different from despair. He will feel the obstacles that life cannot communicate with everyone. For that kind of obstacle, he is more likely to digest through the internal province, instead of crying in tears and hate others.