In the process of being issued by the torture poet , fans of Taylor Swift know. It doesn't matter, they have almost nothing to continue.

Although the singer's 11th recording room album was announced in the most magnificent way in Grammys, a few months before the release date on April 19 was full of silence and begged to be filled. No singles. No music videos. There is no teasing about the voices that the changing artists will convey this time. However, fans know that this will be the final breakup record, which will deal with Swift's long -term boyfriend Joe Alwyn. Swifties (Swifties) is coveted by cutting upside down, painful venting, and a large number of enthusiastic victory in the real world.

Shortly after the bell was hit at the night of the night, this confidence gave the throne confused.

It turns out that the tortured poet department is not a long Alwyn Diss song. Instead, its opening song seems to point to a different theme: a short relationship with the 1975 lead singer Matt Healy. The cyclone Tryst of the two became a public litigation in the middle of 2023, because the Supreme Court of Swift County believes that the lack of Sweifte's previous partners' simple public image is controversial rock stars. This is not the correct match of their queen Essence The barrage of social media posts dishonestly was drowned. When they were removed, this relationship seemed to disappear like a bath bomb in warm water, leaving weak stains in the bathtub.

This experience provides 16 songs for the tortured poet department , which must be the most misunderstanding of the artist. This is a shocking turning point. The buttons disappeared on the buttons of each girl. There is a threat in her position. She spent more than an hour, introduced the lost love, the paranoia of entertainment, and violently criticized her to upgrade her to a large title. This is likely to be the most hostile main popular record we saw from this public artist.

On the surface, it is easy to write a record of up to an hour, because a small work in the color record of Swift. This is a positive record. Open tracks in two weeks are the hot singles closest to launch radio. From there, Swift returned to her recent album (such as folk customs and midnight) . The familiar melody surfaced, and Jack Antonoff became the signature sound of the best producer of the year of Grammy of the year. Songs such as "Eap" Alchemy seems to show that Swift finds herself in a creative corner, and she always trys to write herself.

These are not just your biggest hateful views, but she seems to be a bit happy about the gentle reception of the album. Some of Swift's own fans have become the biggest critics of the album. Some people seem to have opened Antonoff, which shows another partnership of Swift. Others turned their anger to lyric content, and passed a love letter to the public enemy of the fan base instead of the Alwyn Post Mortem. Some people even feel that some people have scheduled her follow -up operation in the fantasy, hoping that her stupid relationship with Kansas Chief Travis Kelce tightly created some "bomber", such as the Big Macs on the assembly line of McDonald's.

However, Taylor Swift did not make what you want for the first time in her career.

This song collection is surprising. She only uses empty threats, such as what to make me do , and she has only hidden her vicious past. This is the most obvious, but Dad, I love him , this is a five -minute album center, which will make the PR team weaker. Here, Swift has returned to her rural era, almost playing the modernization of modern popular love stories . She is a child again and rides with a wild boyfriend again, she does not allow her. But this is not her parents don't say this time. She is her fan.

I now tell you something

I would rather burn my life

One second than listening to all these Bitchin 'and Moanin'

I will tell you something 'I have a good name

This is my shame

I don’t cater to all poisonous snakes wearing empathy clothes

This is her most cruel and fast, and she has turned a snake -shaped insult. In her career, she followed the people who claimed to love her. She did not hesitate to call on her happiness to associate her with old songs. These songs were involved in the feeling of emphasizing her baby. She sang: "I just learned these people to try to save you, because they hate you."

This anger is not only in isolated from a song. Is there a sin like sin? , She slammed again: "If what they want is what I want, they don't know how you marvel at me, I choose you and me devotion." Who is afraid of the ego? The goal is even more direct, calling on Ticktoc, and fans tried to sneak into her home in New York. "You cover me, and then you call me crazy," she spit it out at the end of the aggressive national anthem.

This image is essential for understanding the creative choices of tortured poets and all their eyebrows. Throughout the record, Swift felt trapped. She has become the prisoner of her success, and her fans play the role of the watchman. This is a self -made problem, and invites some understandable eyes. This is not only the first world issue; this problem exists only on an alien planet that only lives like a powerful person like quickly.

Despite the necessary cynicism, this does not mean that the torture poets are worthless. In fact, Swift (perhaps inadvertently) put forward a sharp cultural criticism of a relationship, in contrast, she and Hilili's seemingly healthy partnership. In other words, the deputy social relationship between fans and celebrities. The subtext here is that the excessive protection Swifties actually does not take into account the biggest interest of Taylor Swift. They want to control her and decide her date. Her singing sounds like who is, who can work on them, the person she wrote and her working way. Swift's entire career tried to get rid of the control of the controller of the controller from the "dad" to the greedy record director. She did not have this way to let her fans conduct micro -management of her.

The songs here have become her most painful. The six -year -old love relationship depicts the detailed picture of her happiness at the moment. This song provides fans with Alwyn Debrief they desire. For so long, London is also the most climax in the album. This is a frank breakup song, coaching on the drowsy bass drum. Just like this relationship is commemorating quickly, it has nowhere to go. About Healy's songs (probably) are more enthusiastic in music and lyric. The title track is reduced, especially in the context of the complete album, and the singer confessed her heart in an incredible way.

Sometimes, I want to know if you will mess with me

But you tell Lucy, if I leave, you will commit suicide

I once said to Jack, so I think

Everyone we know know why

Because we are crazy

So tell me, who else knows me?

You don't have to become a comrade with billionaires, you can feel the tragedy here. Swift has long recorded her frustration search for true love. In the torture poet department , she hinted that she had found it-just tore her fans who were judged. When she is in the eyes of a worship public, her life will never become her own life, and she only regards her as playing.

This pain leads to the coronation of the album: dark comedy I can do it with sad heart . Here, SWIFT has set up a twists and turns for fans of those harsh "Bangers". In most cases, this album resists the urge to dance to the audience. Why? The singer just spent nearly 50 minutes, explaining that she sacrificed her boredom that she wanted to please others. If she can't have what she wants, why? Keep boring.

However, as all the hopes were lost with the slow album, she reduced her dial to 11. Suddenly, she sang a purely popular song of bubbles, and Taylor Swift's standards were too picky. When she worked most of the albums in the low register, she slipped into the tone of almost children when she brought out the BOP. Finally, the song that Antsy has been waiting for.

capture? This is the most brutal criticism of your fans.

Below the primitive pop music production is the speed of mania, and her pain can satisfy the wolf. "Lighting, camera, bit, smiling, even if you want to die," she sang on the melody of rising and falling, which made her sound like a first -class toy that restored her life at the end of a tired phrase. She is a monkey and monkey on the stage, singing popular songs for a few hours of "more" people. There are screaming fans on the arena to support her, or just consume her until the rest?

It is this problem that the tortured poets have reached unforgettable conclusions. On the painful Clara bow , Swift returned to her smart youth again. At that time, she watched Stevie Nicks and the names of the Hollywood star in the name of this song. Wait for stars. At first, this sounded like a shocking humble bragging. She reflected it to make it bigger, from a small town girl to the same superstar as women such as Nick and Gong. Swift has been telling this failure story throughout her career, and she will only become more annoying.

However, the music background is not a victory. This is the most album record. The monotonous bass line steadily strikes the distant texture steadily, and it sounds like an organ soberly emitting funeral praise poems. Her beautiful words have a double meaning in the faded light. "Life, do you know you will be selected like a rose?" She sang very early. It is a metaphor like a lucky person who is pulled into a star, but we know what it will happen when you cut roses: this is the death penalty.

The fantasy of Girls' Generation became a nightmare because Swift depicts her damn reality. This was her most effective female -oriented moment. At that time, it was the bargaining of the devil's bargaining woman logo, and she became a star at the time. Yes, she has a crown, but she can retain it only when she promises "dazzling AZZ chaos". The moment her "girly light flickered", she would spit it out and replaced by the next woman who was ready to fall. Swift may first issue a split response to her most cruel and honest album, breaking the fourth wall with prophecy.

"You look like Taylor Swift

From this perspective, we like it very much

You have an advantage, she never has

The bright future is dazzling azz chaos "

Sweif specially named any Hollywood "IT GIRL" here, but it was deliberately mentioned to Clara Bow. Bowl's rapid rising rapidly, her entire film career lasted until more than ten years before retirement in 1933. She plagued mental illness and was finally diagnosed with schizophrenia. She left her family in the last few years of life. Before his death in 1965, Bow tried to end his life in 1944. The suicide explanation outlined her motivation: she would rather die or stay in the eyes of the public.

"I don't want to exaggerate their words, but I think I might die," when a naive girl looked up at the idol, she once dreamed of Dream for asking. Staring at her gold -plated cage now, she was worried about her right.

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